Daisies

Below you will find written and video materials to supplement your experience with this film. Be aware that some essays and video essays may contain spoilers.

Critical Essays

An Audience for Free Spirits in a Closed Society (NYT)

A Courageous Voice from Central Europe (East European Film Bulletin)

Perfect Chaos: Vera Chytilova’s Sedmikrasky (Daisies) (Art Forum)

Food and Female Desire Gone Bad in Vera Chytilova’s ‘Daisies’ (Screen Queens)

Stuffed: Dining with ‘Daisies’ (Bright Wall / Dark Room)

This Film’s Going Bad: Collaborative Cutting in ‘Daisies’ (Senses of Cinema)

Contextual Reading

Czechoslovak New Wave

Czech Surrealism and Czech New Wave Realism: The Importance of Objects

Remembering 1948 and 1968: Reflections on Two Pivotal Years in Czech and Slovak History

The Prague Spring: Dubcek, The Media, and Mass Demoralization

Videos

Daisies

Meetup on March 24th, 2021

Our next film is Daisies (1966), directed by Vera Chytilová.

March is Women’s History month, and our members have voted for two excellent (and very different) films to watch and discuss, each celebrating women in cinema. Our next selection will be Daisies (1966), directed by Vera Chytilová.

Daisies is a wild, provocative, experimental cinematic collage, utilizing unique editing techniques and nonlinear action to create an unbridled and singular proto-feminist expression of the Czech New Wave. We follow two young women (Marie 1 and Marie 2) through a variety of chaotic scenarios and pranks, often involving unsuspecting men and ‘polite’ society. Chytilová resisted admitting to any sociopolitical agenda, but was still heavily censored for her work by Czech authorities. The film remains a fascinating capsule of one woman’s artistic vision during a time of political upheaval and burgeoning creative spirit.

Daisies is available on iTunes ($3.99), HBO Max, and the Criterion Channel. You may also find extensive footage on Vimeo and Youtube. We will be discussing the film on March 24th at 8:00pm EDT on Slack. You can watch a trailer here.

The Trouble With Angels

Below you will find written and video materials to supplement your experience with this film. Be aware that some essays and video essays may contain spoilers.

Critical Essays

Mother of All of Us: Ida Lupino, The Filmaker (Cinema Scope)

How Ida Lupino lit a path for women directors and indie filmmakers alike (BFI)

The Female Gaze in Ida Lupino’s ‘The Trouble with Angels’ (Indiana University)

Rediscovering the Films of Ida Lupino in the #Metoo Era (Columbia University)

Contextual Reading

The History of Film: The 1960s

Hollywood Heroines: Ida Lupino and Penny Marshall were pioneers behind the camera

Dearth of women in classic Hollywood was result of studio system, study finds

Key Events of United States Feminism During the 1960s

Videos

The Trouble With Angels

Meetup on March 10th, 2021

Our next film is The Trouble With Angels, a 1966 comedy directed by Ida Lupino.

March is Women’s History month, and our members have voted for two excellent (and very different) films to watch and discuss, each celebrating women in cinema. The first selection will be The Trouble with Angels (1966), directed by Ida Lupino and written by Blanche Hanalis. Lupino was notably the first woman to direct a film noir (The Hitch-Hiker), as well as the first woman to star and direct in a film (The Bigamist). The Trouble With Angels is a charming and fun coming-of-age story of two girls, Mary Clancy (Hayley Mills) and Rachel Devery (June Harding), who are students at a Catholic boarding school. There are pranks aplenty, but also unexpected revelations and plenty of heart.

We look forward to a rich discussion around Lupino’s pioneering prominence in the Hollywood studio system, the representation of women in her film, how the roles of women in the industry have changed in front of and behind the camera, and much more.

The Trouble with Angels is available on Amazon Prime ($2.99), YouTube ($3.99), and Google Play & Apple TV ($3.99). We will be discussing the film on March 10th at 8:00pm EDT on Slack. You can watch a trailer here.